Emerald City Blues - A Bone Song
Monday, May 30th, 2005Sometime I still write fiction. Sometimes I still write poems. Below is a piece I wrote that has been sitting in the computer for a couple years. A “song” I thought I’d go ahead and self publish now.
Emerald City Blues - A Bone Song
When they spoke of inland seas, ancient ferns, trilobites and dinosaurs, it was before the frozen multi-colored map of the then-Now, the political U.S., indivisible stars and bars representing the 48 plus Steward’s permafrost Folly and Ukulele-land , all ages of earth depicted in refrigerated geographies, so that Kansas in its sovereign statehood owned that mosasaur, and guess-who in its sovereign statehood produced this Araucarioxylon arizonicum. They forgot to talk about plate tectonics, of Rodinia preceding a place which was Pangaea, split itself, demented, misplaced where East meets West, then inadvertently rediscovered itself in a Spanish revival of Noah’s Columbine dove sent out to probe from where the trickster raven didn’t return.
“Oh beautiful, for spacious skies,
For amber waves of grain,
For purple mountain majesties
Above the fruited plain.
America! America!
God shed His grace on thee,
And crown thy good with brotherhood
From sea to shining sea.”
Them bones. Them stones. A highway under construction becomes an archeologist’s dig, so everywhere one looks in this vast desert, defying the apparent barren, are them bones, them stones. Where there once was water, the flood withdrawn, earth dry again, there are rocks, there are bones. Where bones were sometimes hidden, by others given a rest from all seasons, there lie exposed, uprooted, as a harvest planted in the dark of the moon, potatoes and carrots and turnips and bones. Bone to eat with, bone to drink with, bone which lived under all our houses, bone a pavement under my feet. From land’s end to land’s end, where salt oceans washed over wind-rustled shark-toothed buttes, and mammoth swamps exhaled birds, condensing coal forests, there are bones. Milk marina earth for oil, come up with bone; put on the tired, old dinosaur suit and clown around it’s all right children, nothing here but us bones, go back to your books regurgitating Chronus’ Old World gods onto the Formica wood of your new world school desks, back, way back, no, further back, back it out of the high octane myth of America, across the ocean, back it out of Europe, beyond the Christian plague, the Roman muscle-brain gymnasiums, back it right up to twilight myths of ancient Ophian leviathan twining about the Pelasgian cosmic egg, while we dig these old bones, a tooth out of a bad gum, replacing your New World American bones with Old World Classics wrapped in leather on a bookshelf out of which Pyrrha’s ancestors descend, springing to literary life once again with every cold stone turned over your educated shoulder. Keep those car engines idling, we’ll have these bones tamed into metaphor before your morning coffee cools, and the highway will proceed as planned.
“Oh beautiful for pilgrim feet
Whose stern impassioned stress.
A thoroughfare for freedom beat
Across the wilderness.
America! America!
God mend thine ev’ry flaw,
Confirm thy soul in self-control,
Thy liberty in law.”
The Daughters of the American Revolution, progeny of dispossessed royalty one and all (“…taking refuge in America…”), produce the staff of Moses their ancestors bore. Dispossessed, yes, but by God, most certainly, for them to find peace-on-earth, good-will-to-all. Thus came to the priestly city of Salem, gave thanks for the divine dispensation of Smallpox which cleared the way before them of Adam-savage Redmen (“Who is the color of earth is closer to the Fallen, is the color of sin and childish intellect”), leaving whole villages and fields of Three Sisters ripened corn and squash and beans for the taking. Three cheers and a tithe for the colonial Angel of Death. Tame the wilderness, subdue the earth, make improvements, Moses leading, Westward ho, how to fit the map of Europe over the face of the New World so it’s familiar domesticated moo-cattle instead of giant free-ranging herds of bison, so it’s the cross of Christ’s shadow stretching over the plains replacing days of free-ranging herds of bison, and New Salem, New London and Paris in every county millimeter-measured to a surveyor’s satisfaction. What’s your name, is it Peggy or Sue? Amerigo Vespuciland? The Great American Sahara romances Abraham’s untold sands state-side. The Greek parthenon gives class to Tennessee. Rome moves to Georgia. And finally, when there is no more land to take, the Indians reserved, bison, condor and eagle slaughtered, where natural resources meet their end, and Kali does the hot dance with fornia, for the children of the great migration into new India, transplanted and ever disenfranchised, ever looking for a familiar neighborhood and the haven which never quite materialized, make a Main Street USA, miniature America, the perfected hometown, (Go to Shopping, Go to Dining, View your Wish List); visit friendly, nonthreatening woodland animals in Critter Country (Go to Shopping, Go to Dining, View your Wish List); experience the nostalgia of the last horizon in Frontierland, the nostalgia of adrenaline in Adventureland, the nostalgia of brave new lands to mow in Tomorrowland (Go to Shopping, Go to Dining, View your Wish List); and to watch over it all, Sleeping Beauty’s magic, sort-of-towering, faux-rock European castle where her story is told in a charming, miniature Corporate World diorama.
Where bigger is better, It’s a Small World. Getting smaller and smaller, cut down to size, nice and manageable-like, the mechanical puppets in ethnic attire hold hands and sing in Fantasyland. Fence up the savages and it’s a perfect family trip from sea to shining sea, the melting pot. Plunge in. Emerge transfigured by the great American dream.
“Oh beautiful for heroes proved
in liberating strife
Who more than self their country loved,
And mercy more than life
America! America! May god their gold refine
Till all success be nobleness, and ev’ry gain divine.”
“Gold,” was the whisper. Snaking its way down the north Georgia creeks. Damming the rivers. The beavers nick their teeth on it. Gold. Mountains of gold. Valleys of gold. Gold in them there hills. Black Hills. Sun’s rays spilled upon the earth become gold. Give me your tired your hungry your meek who will inherit the earth your Spanish investors conquistadors thirsty for god’s water, Coronado, Cortes, Juan Ponce de Leon, what’s-his-name who survived the Civil War, went from Missouri to California, wrote, “Struck it rich! I’m coming home!” what happened to him, no one knows, took a detour to Mexico they speculate and was killed for all that gold, gold, slain by Montezuma’s ghost no doubt. Gold which tells fortunes, forecasts a fountain of youth, eternity bubbling its yellow heart, one sip and it’s Midas frozen flesh for all time. Finding boxes of bones covered with deer skins, feather head dresses and whispers of gold, it was asked, “Where are these things obtained?” At “Apalachen.” Very far away. At Apalachen. At Apalachen where was maize and more maize. No gold. Just maize.
And probably bone.
Life for the living and death valley for the birds, where is mother is also the supposed barren grave. Such a wealth of desert articulates a contradiction of terms, except a speculator knew a deal when he saw one and seized even the horizon here.
“Oh beautiful for patriot dream
That sees beyond the years.
Thine alabaster cities gleam
Undimmed by human tears.
America! America! God shed his grace on thee,
And crown thy good with brother hood
From sea to shining sea.”
Perhaps once a week, time now to read music. Pass out more schoolbooks, rarely used, raw with scent of ink and chemicals, crisp open, spine stiff, bleached white shine of paper upon which was music for reading, the strings of the staff soundless plunked by mute minds. Verses printed beneath. Hymns for schools. “Our country tis of thee” “Oh say can you see by the dawn’s early light” and other culturally relevant ditties: “This land is my land, this land is your land, from California to the New York Island…” “Can she bake a cherry pie, Billy Boy? Billy Boy?” The teacher’s pitch pipe buzzes. Train of voice, staggered and weak, leaves the station. Teacher pilots a wavering melody. Map in hand she goes and sons and daughters of free men, stolen men and slave women, tears of treaty children question together can she bake a cherry pie, Billy boy, tasting no cherries, maybe the teacher grasps the significance of Billy, the pie. Can she make a feather bed, Billy Boy, Billy boy, Can she make a feather bed, charming Billy? Yes she can make a feather bed, while a-standing on her head, She’s a young thing, and cannot leave her mother. How old is she, Billy Boy? Twice six, twice seven, three times twenty an’ eleven. Pitch pipe buzz. Go Tell Aunt Rhody The old grey goose is dead. The one that she’s been savin’ To make a feather bed. She died in the millpond From standin’ on her head. Pitch pipe and read text guess melody in the train of teacher. She leads, impatient foot tapping a waxed linoleum heartbeat, irregular, senile, songs filled with bones, This land is my land this land is your land.
See the New World painted on the paper world of treaties tossed by righteous freedom. “So real you’ll think you’re there!” From Kansas buttes to Emerald City Missile Silo Blues beyond the wild prairie grass turned to poppy sleep and dream forever beneath yellow wheat roads, a personal history of the universe, the little I’ve observed, even less that I’ve critically absorbed with any success, which as far as you could be concerned has nothing to do with you, and you’re quite possibly right. But that’s where I grew up. And that’s where I grew up. That’s where I slept. My towns, my schools, all my teachers. Places and people which prepared me for my life, to live my life, life being that which happened to adults, orderly actions, contemplations, acknowledgements and reflections, whatever came beyond the magic threshold between legal adult and minor player. Given tools. The most important thing, to have the king’s English and good tools. The life one was supposed to make of them I no longer recollect. But I remember that sidewalk, remember that flower, remember that cloud. Can she bake a cherry pie, Billy Boy?—remember that too.
There were trees then, which someone’s god began to mow down, clearing a path for the highway. Old growth trees in stands so thick if you held your hand before your face you couldn’t see it, only the densest black, unfathomable. Look out this ship’s screen door into the predawn dense ocean blue, into the blackest black of a remnant stand of oaks across the railroad track, sinking through the depths past sharks and great barnacled, moaning whales, time tsunami curves with the quake of the first felled tree so millions of years and life forms fleeing from the impact of that great concussion leave me at silent chasm’s edge, sound moving slower than the light which will always be striking right about now, which is how I can remember the cracks and groans of Thunderbird and Whale’s struggle, muffled, in bones and stones. A collision of worlds within worlds. That is how these universes began, what I’m talking about. Couldn’t see the forest for the leaves, as they say. Say too, some, that, as with the Cedars of Lebanon, one day all the trees will be gone and that’s when the universe will end, because the trees went on forever, which is why others say instead there are as many trees now as there ever were because there is no end to them. To find the forever green, primordial forests of the giants, what you must do is cross the great desert, and if you keep on going, one day you will find them, like a New World. New World of old growth. Like a legendary hero in search of the end of the world, over the great desert ocean, walk on, walk on, though if the trees continue being felled, as they have, then it will be impossible to reach the other side ever. And the ancients will live.










