Archive for April, 2007

Obnoxious

Sunday, April 1st, 2007

My site stats are something I infrequently check because there’s just no reason to check them. But this evening I took a break from a painting and went to look at the site stats. I was floored. I had 750 visits on Saturday. Which isn’t right. Mine is a very lightly visited blog. I get maybe 120-150 visits a day on the average and about 90 percent of those are through Google image searches for monster trucks (Google sends them to a page where I mentioned behemoth trucks negatively and text linked to an image of monster trucks elsewhere) and things like werewolves (they get a H.o.p. drawing of a werewolf).

Most of today’s hits seem to be from an AOL image search for “ugly prom pictures” and land on this post, If You Buy the “Beautiful People Don’t Commit Crime, Ugly People Do” Research, You are So Easily Led Around By Your Nose.

I don’t have a pic there titled ugly prom picture. I don’t even have the word “picture” on the page. The page does contain the words “ugly” and “prom” but not together.

The only picture on that page is one of Bush and Blair and its title is “have jobs”.

I see that on Thursday my visits had gone up to 200, and then 250 on Friday. So the spike was on its way.

F****** obnoxious.

So that led me to go look at my website stats on my server, which I never do either. I used to try to go through and change images that had been hotlinked to, but got tired of trying to keep up with it. But at least I used to be able to tell what people are hotlinking to. Now it’s totally out of control with MySpace people in particular hotlinking and many of them have private pages so I can’t tell what image they’ve hotlinked to. And I’ll be getting hundreds of requests for it on my server. And private forums hotlinking to images.

I found one radical feminist blogger who’d hotlinked to some old art of mine (that’s my page) and for some reason couldn’t be bothered to give a link or credit. Yeah, I call that being really concerned about another woman’s rights.

Went to another person’s blog and let them know I didn’t appreciate their linking to an image (not mine) that was on my site but not linking to the post in which I’d used it, where I gave credit for the image. I wouldn’t be so pissed if it hadn’t drawn nearly 10,000 requests off my server.

NEVER HOTLINK! Don’t do it. You’re stealing other people’s bandwidth. I expect hotlinking from Myspacer and Forum jerks but bloggers ought to learn some manners.

An awful mess

Monday, April 2nd, 2007

Good griefinicious, there lies my brain, on the floor, all drippy puddled and entreating me to try to mold it so it has some measure of coherence again. But it ain’t happening. When I nudge it, all I’m getting are little burps of H.o.p.’s computer game music. Oops, now it spits out anxious images of dismal global-warming futures then resettles in a mess on the floor. More computer game music burps. I stomp it.

“Need coffee,” it says.

“You are beyond caffeine resuscitation.”

“I hear the kettle’s whine. Get coffee.”

“You need something, but whatever it is is beyond my power, seeing as how you are lying in a mess on the floor, leaving me witless.”

“Quit stomping me and get that coffee.”

“No. Get up and exercise, damn you. Work it!”

“Caffeine! Music! Some John Coltrane. How about John Coltrane?”

“Everyone’s asleep but me, resting up after the past week’s exertions. The apartment steeps in dreamy silence. I don’t want to wake them up.”

“Now!”

“OK. How about this?”

Not good. Takes over three minutes for my brain to start moving at all.

And it woke Marty. He’s not ready for Coltrane so I say what else and we volley it for a few minutes, he keeps saying no no listen to what you’re listening to that’s fine, if you want to listen to Coltrane go ahead, and I keep saying no come on I’m not sold right now, what else.

How about some Art Blakey.

Damn, not doing it for me this morning. Which is bad.

Bill Evans? Fish around and find “Waltz for Debby”.

While “Waltz for Debby” plays, I’ll get the dust pan and shovel my brain up off the floor, flog it with some coffee and see if I can get its electric self remotely registering again on the voltage meter. But I can see this is going to take some time.

(Time passes.)

H.o.p. (from the bedroom): OK, dad! I’m getting up!

Me: Your dad’s taking a shower right now!

H.o.p.: But…

(Time passes.)

“But what?” I’m thinking. “But what?”

(Time passes.)

Me: But what?!

(Time passes.)

H.o.p. is up and munching gummy vitamins while I listen to a Danish guy announce Monica Zetterlund and Bill Evans, “Once Upon a Summertime”.

Wasn’t thrilled with that selection.

Dum de dum.

OK, here we go. Yo Yo Ma and the Sesame Street Honkers.

(More time passes.)

(Quite a lot more time passes.)

What can I say? Nothing’s working. I’m at a loss…

This is the level we’re working on today

Monday, April 2nd, 2007

So, I mix up some blueberry muffins but then we spend 20 minutes looking for the muffin pan and can’t find it. You’ve seen pics of our kitchen. If we can’t find it, the muffin pan’s not there. It left home. So Marty is going to run get a muffin pan and goes to get his boots.

Marty: Damn! I can’t get on my boots!

(A few seconds.)

Marty: Damn! I can’t get on my boots!

Me: Uhm. Those are my boots.

Marty: No, they’re mine.

Me: No, those are my boots.

Marty: No, they’re not! They’re mine.

Me: My boots.

Marty: You got a pair of Ariats too?

Me (putting on the boots): Look, they’re my boots.

Marty: Oh. I’m relieved.

Me: Uhm.

Marty: So you got Ariats too?

Obviously. Back in November. When you insisted I get a pair of cowboy boots in Texas like I’d always said I’d wanted to do.

The Ariats are a size 9 (a little too big for me, gotta wear double socks) but it’s not like I have Godzilla sized feet.

Really, regular me feet here. I stand my boots beside Marty’s boots to prove it. See! See!!!! Yours are bigger! Much bigger boots!

Plus, mine have a higher sheen, in case you need an extra clue.

Ah, gee, Google, stop with the love, you’re embarrassing me

Monday, April 2nd, 2007

How sweet. Looking at searches that bring people here, I find that my blog comes up #1 in Google for the search…

oven smells like mouse urine

…because of my recent kitchen post which mentioned nothing about mouse urine but someone else’s one time problem with it was discussed in the comment area. This post will only reinforce those results. (Jimm, I would feel badly for you that I’ve usurped your position in the Google standings in this regard, but I see it seems you may not place at all in Google using those search terms, which is for the best as your blog is infinitely more respectable than mine.)

I also find from a Google search leading another unwitting soul here, that if you put in the words…

oh lord would you buy me

…then I also come up first. At least today.

Because of this post.

I can live with that. It wasn’t a bad post.

If someone doesn’t correctly remember the Janis Joplin lyrics then they land here. Though I did remember them correctly. And the post wasn’t even about the song.

It’s like cluelessness double compounded for the person who lands on that post via the search…

oh lord would you buy me

We’re watching old Warner Brothers cartoons here tonight. Well, I’m sitting in here and listening while working on stuff. Some are so well written that I’m dissolving in laughter just from the dialogue, pacing and sound effects. I especially like “The Foghorn Leghorn” where Foghorn Leghorn is determined to convince the young chicken hawk, Henery, that he really is a chicken, after Henery’s uncle tells him Foghorn Leghorn is a Loud Mouthed Shnook.

I personally think the second dino was eaten

Tuesday, April 3rd, 2007

Re the prior post. Memory is funny. I went to look at the Registration Desk painting I’d linked to and it promptly spat back at me one particular video I was listening to when working on the carpet and one of the walls of the yellow-green lit back room. Now we have all those other areas of the painting and all the other things I might have been listening to, but what it spat back at me was my working on that one area while I was listening with H.o.p. to a Cosmeo science video on dinosaur footprints and whether or not a particular set captured the movements of a predator closing in on its prey and nabbing it (the second set of footsteps disappear mid-stride). The nonacademic dino-obsessed individual who found the footprints had studied predator movements in relation to prey and believed that the pair showed predation and catch, whereas scientists said no, the prints were probably made at different times and unrelated. After the man’s death, it was eventually thought it would be good to preserve his records in general, which is when one scientist came upon this old argument and all the man’s data on it and revived it, believing the man was right. It seems that scientists now believe the prints were made at the same time, but the majority argument is that the prey just tromped upon some goopey mud and escaped and that this isn’t a record of its being plucked up.

I personally think the second dino became dinner.

Dinos and aliens.

With every painting I work on, I usually ask H.o.p.’s opinion at one point, maybe two or three. Like with the below painting. I had been working on what was to be the final version, but wondered, after having already moved the door in a good bit, if I should further compact the area between the woman, the fire extinguisher and the door. So I cut it up and put them back together to see if this was something I should do. Turned out it was too compact for my liking and I wanted the spread, the eye to wander over that wider spread. That’s how I felt about it. But I wanted another opinion. I called H.o.p. over and showed him the two versions and asked what he thought without giving my opinion. He said he liked the wider spread. OK. I went with the wider.

He sometimes rolls his eyes and would prefer not to be bothered.

His ability to make a critical analysis rather than rely on kneejerk preferences (”I like that because it’s blue and my favorite color is blue and it has more blue”) is broadening. For instance, when asked what he thought of this last one, “Roswell: In Search of the Truth”, he didn’t ask me to put a UFO in it, as he often does. “If you put a UFO in it, people will like it!”

Taliesin West - In the Sculpture Garden 2

Thursday, April 5th, 2007

Taliesin West - In the Sculpture Garden 2
Taliesin West - In the Sculpture Garden 2
Digital painting 2007

This has been sitting on my computer for a year waiting for me to finish it up. Another Taliesin Sculpture Garden painting is here.

I just liked the shadows on the pavement as being a part of the sculpture garden at that moment. And the man in the fish shirt with the Taliesin West water bottle jammed in his back pocket. There we were in the hot autumn (just beginning) desert and he in this shirt with the fish swimming in the blue. Like a desert pond.

“A desert pond?”

Never mind. My eye hit the light on that blue shirt and its fish and stuck there. Wow, it’s a…desert pond!

Photos don’t really represent Taliesin West as it feels. The buildings look like they’d behave like regular buildings in a sense of weight. But Taliesin West, despite the stone and concrete employed, gives the impression of an origami structure, lightweight, even fragile, which isn’t much to do with the canvas roofing, but a general sensibility. In photos it’s impressive but in the flesh it’s peculiarly unassuming. Taliesin West doesn’t overwhelm in part or as a whole. The atmosphere of the textures and space is receptive and calm. The design seems content to give a welcoming first impression and then wait for you to notice, over a period of time, how it is a place of a thousand and one perspectives, each individually framed and on reserve for when you turn the corner and are open to seeing. Maybe that’s one reason H.o.p. liked it there as much as he did. Because he loved it. With the exception of the UFO Museum I think it remains at the top of favored places he’s visited.

The “official photographer” didn’t do so hot

Friday, April 6th, 2007

Scads of nieces and nephews at yesterday’s birthday part. From the right, there’s a nephew, there’s a nephew held by a sister, there’s a niece right below reaching for something amongst the paper plates and the birthday girl niece beside her. Well, not scads, I guess. One more nephew was running around in cowboy boots somewhere in the background.

For the blog: Birthday Party
The Birthday Niece

I was official photographer. I slap my picture-taking hands after viewing the pics. Lots of wonderful kids running about but it’s difficult getting a really good picture with an army of kids racing here and there. Some would-be great pics always had stray adults in the background distracting. There was one woman in particular who managed to be in the background of about 200 of what could have been cute kid shots.

There was a lot of blowing of bubbles which could have made for some nice pics but there was always a trash can or a baby carriage in the background. The place was great for playing but not very photogenic and I concentrated on close-up shots of 1 to 4 happy faces but that was problematic too as the majority were preschool and didn’t care one bit about the nose goo mingled with chocolate all over their faces.

The slighter older ones managed to keep their faces relatively clean.

Birthday Party Niece and a Laughing Nephew
Birthday Niece and Tickled Nephew

I took 400 pics.

Niece Swinging at the Birthday Party
Another Niece, Sister of the Birthday Niece, Swinging

“A blind monkey could get some good photos with 400 pics,” Marty said.

He was right. But I’m a plotting, scheming human and probably walked away with less good pics than the blind monkey.

Birthday Party - Weird Not-a-Seesaw
Nephew in cowboy boots and son H.o.p. (long hair) on the Weird-Not-A-Seesaw

There was a weird-not-a-seesaw that All The Kids wanted to get on, but once on they wanted off of it because there just wasn’t much point. What was weird about it was the seats were waist high to an adult so none of these kids except the older ones could climb onto them. And the seats only went up and down a couple of inches. The littler kids you could easily lift up and hold them there (you had to stand right by them because they were so high off the ground) but many of the kids five and six and seven years of age needed help getting onto the seats, and some were too large for me to lift.

Birthday Party - Kidsville
Kidsville!

One nephew and I tracked an ant colony that started on one side of the pavilion and erupted again way on the other side and went half way down to the nearby creek. I made much over it. “Look! Look where it starts! And it’s over here as well! Let’s see where it goes!” So there was much excitement over it because I was Hey Lookee Here Animated.

This was down in Henry County and the play area was located next to a number of historical buildings that have been relocated to this park. H.o.p. and the nieces and Marty and I wandered over for a look after the party was over and people were on their way home. Well, the nieces and H.o.p. ran and Marty and I wandered.

One of the first log cabins was interesting to walk around in and experience the extremely low ceilings, though it was more spacious inside than it looked to be and had storage areas on the second floor (yes, a second floor) that I’ve not seen in the few other period cabins I’ve been in. However, it seemed to me that much of it had to have been refashioned from fresh lumber, though I could be wrong. Some of the ceiling timbers looked original.

There was an old one room schoolhouse. Couldn’t get into it so just peered through the windows.

A train. Lots of ringing of the bell. Several signs read “Please Don’t Climb on the Train” but it seemed outfitted for kids to climb all over it, which was confusing, and kids were all over it and adults as well. I stood to the side and stupidly wondered aloud, “I can’t tell where you’re supposed to climb and not climb.” I was ignored, which was for the best.

There was an old separate kitchen house which was new enough that it had a place for an old stove rather than a fireplace. The stove was not included.

The favorite place was the first public library, a big one-roomed building with a huge door and its walls partly lined with not-so-very-deep shelves. There were a few old chairs and a small table and the nieces (one 3, one 4) took turns giving presentations on the building after I gave a fake stagey one. When it was H.o.p.’s turn, he preferred to play a Chinese vampire and hop across the stage for their entertainment (if you don’t know what I’m talking about then you’ve some critical holes in Hong Kong cinema history, but then so do I).

The 4 year old niece, who is very observant, began her presentation by indicating H.o.p. and saying, “First, we have here a clown…”

Because his nieces are Chinese, H.o.p. endeavors to entertain them with things Chinese. His mind goes straight to Chinese dragons and the Huns. Because he wanted to learn “all about China!” this year he became fixated on the Huns along the way and we find ourselves answering the same twenty questions about Huns all year long. He says he wants to learn Chinese but so far has mastered only two words. But he is proud of those two words.

The nieces love our Honda Element and back at their home we sat in the car for at least 45 minutes while they pretended each to drive to the zoo. H.o.p. doesn’t care anything about sitting in the driver’s seat and pretending to drive, but his cousins do a remarkable job imitating, and were asking what every little knob was about. I decided 45 or so minutes was long enough and finally bribed them out of the car with a half a stick of sugarless gum for each.

The older one in particular is crazy about H.o.p. (well, they both are but the older one in particular) and he’s crazy about them. And good with them. Sooooooo good with them.

He was good with the other kids as well. There were only three swings and only one of those wasn’t a toddler swing. H.o.p. waited and waited and waited to get on the swing and as soon as it was free and he got on it one of the little girls came running up wanting to swing and he promptly and happily got off and helped her on and helped push her high.

There were no birthday presents. Instead it was requested that donations be made to the Half the Sky Foundation, a non-profit that trains and pays nannies, women from the local communities, to help out at the orphanages, including the orphanage which was originally home to H.o.p.’s cousins.

Reflection of the B Movie Monster that Ate Easter Weekend

Friday, April 6th, 2007

Child in Bubble Window

I tried for a “cute” pic of this unknown child in a bubble window, but it wasn’t meant to be. I even sought out the most flattering angle. And I was aware, as I made the shot, there was no way in the world this was going to work. And she was aware I was taking her picture and, I think, trying to look contemplative or fabulously wondering…or something. Believe me, it’s no better in color. No matter the processing or no processing, she looks like she’s witnessing a B Movie Monster gobbling the playground equipment, worrying she’s next, hoping to not end up on the cutting room floor. For which reason I ended up liking it.

George Pal’s “Tom Thumb”

Saturday, April 7th, 2007

Been watching the 1958 “Tom Thumb”, directed by Puppetoons’ animator, George Pal. Arrived today from Netflix. I’d assumed I’d probably seen it on television as a child but none of it strikes me as familiar.

It’s not the traditional story. The movie is a combo of Puppetoons, slapstick, Hollywood Saturday matinée adventure…and a vehicle for showing off Russ Tamblyn doing gymnastics to jazz (weird). A man and a woman wish for the child they’d never had. Russ Tamblyn, done up with peroxide blonde-red hair, shows up at the door in some fabric leaves. A pair of villains take notice of him and think he’d be a perfect accomplice in crime (slipping through keyholes) but his father refuses to sell him. In a subplot. an irresponsible musician has fallen in love with a Wood Spirit who will only become real when he kisses her. The musician takes Tom Thumb to the fair where Tom entertains the locals, dancing in a pair of “talented” shoes that will keep the dancer moving until the music stops.

“Everybody seems to know who Tom Thumb is,” H.op. observed.

Which I happened to be concurrently wondering about, that everyone knew Tom Thumb though this was his first appearance at the village.

The musician promptly loses Tom Thumb, and his new job in the military band. Tom Thumb is captured by the villains and innocently assists them in thievery. They send him into the swamp with a gold coin, expecting him to be gobbled up, but Tom is found by the musician and taken home where he accidentally loses the gold coin. The next morning, looking for the thieves, the law stops at the house of Tom’s parents, finds the coin, and arrests them. The rest of the film involves Tom and the musician attempting to corral the villains and bring them to justice and the musician becoming man enough to gently kiss (the big he-man kiss doesn’t do the job right) the Wood Spirit and make her real.

Not quite what I’d expected. But the scene in which Russ Tamblyn does his jazz acrobatics, the toys in his room all having come to life and welcoming him with a celebration, is pretty incredible. Seriously bizarre, considering this is a supposedly Grimm’s era Bavarian home, but incredible. Well, I guess Bavarian. Hollywood sound stage Bavarian.

The role took tremendous strength and agility, Tom making his way around in a big person’s world, always heaving himself up on top of this and that, must have been exhausting. I had to make some big leaps as well to accepting 24-year-old Russ Tamblyn as the couple’s new baby boy, until this scene, peculiarly, which is the liveliest and best in the film, Pal reminding adults that their magically-minded child remains present, inspiring creativity.

“Is that Peter Sellers?” I wondered, watching the secondary villain, Antony. “Certainly looks like Peter Sellers. Kind of. No, it looks more like a second-string character actor Peter Sellers later mimicked and polished up.”

It was Peter Sellers though.

“He looks grouchy,” H.o.p. said.

He did. Grouchy through and through, and like it wasn’t just acting grouchy. More like he was having troubles with feeling out his villainy-comedic parameters in a film geared for children. Either he never got it or the drab cinematography and editing let slip what he got. It’s hard to tell.

Redefining Beautiful (then enlarging the garbage dumps of America with it)

Saturday, April 7th, 2007

Picked this up at a second hand book shop.

Redefiing Beautiful

The designer of these “7 Stunning Pieces made from 7-Count Plastic Canvas and Embellishments” was Diane T. Ray. The back cover says that Indian Artifacts “reflects her unique ability to adapt objects of art to the medium of plastic canvas”. Living in New Mexico, inspired by its vistas, she also enjoyed riding customized sand rails over the dunes with her husband and boys.

In other words, she enjoyed destroying the desert environment with sand buggies. How appropriate.

Anyway, we have here bell chimes, a canteen, a pitcher, wedding basket, wall hanging…and no home display of plastic canvas Indian artifacts is complete without the tomahawk and pipe.

Somewhere out there are individuals who thought “that wedding basket would look so cute holding plastic flowers on the tank of the bathroom toilet!” and made at least one of these bizarre creations in their passionate pursuit of creating trash for American landfills. If it happened to be a sweet but clueless relation of yours, I can understand how you’d be sentimental. The idea remains, however, reeeeeeally bad.

Into the Desert with Mr. Christian

Sunday, April 8th, 2007

Into the Desert with Mr. Christian
Into the Desert with Mr. Christian
Digital painting 2007

Click above to reach “all sizes” at Flickr where the image can be viewed large or click here to vew on its page at my website.

Continuing the meditation on the Fish Shirt Man of In the Sculpture Garden #2.

Detail of the painting at actual pixels (done 300 dpi at 15 in by 20 in).

I’m reminded of Monty Python’s “Is he dead, yet?”

Sunday, April 8th, 2007

“We are prone to think the Indian problem is solved. It is not. Generation after generation must pass away before the last drop of Osage blood in amalgamated lines shall be lost. The future of the remnant of this once great tribe, its influence in the middle west, is a story yet to be written. In the years gone by it was never the government that controlled it so much as the church in its broad reach of influence. What the Osages did or refrained from doing can oftenest be traced back to the character of the red man as shaped by the good influence of the white man’s civilization.”

Written by Margaret Hill McCarter in a sketch on the Catholic missionaries to the Osage, Mother Duchesne and Mother Bridget.

Pg. 284 “Life and Letters of Fathers Ponziglione, Schoenmakers and Other Early Jesuits at Osage Mission, Sketch of St. Francis’ Church, Life of Mother Bridget” by W.W. Graves 1916